Synopsis:
A man falls in love with a woman’s hair.
There is another woman who is in love with this man.
Under the name of “love,” the man imposes a distorted form of affection on the woman.
In response, the woman becomes discontent and cuts off her hair.
With the disappearance of the hair—the object of his love—the man leaves her.

Directorial Intent:
We often mistake ourselves, uncertain whether what we feel for someone is truly love, or simply obsession.
Our attachment to inner desires and fantasies reveals itself in the landscape of yearning, control, and fixation.
Fragmented images—like severed pieces of memory—are edited into a montage, allowing the viewer to observe the events from a distanced, objective perspective.
The film traces the male protagonist’s strangely obsessive behavior toward the woman, questioning whether the emotions and actions carried out in the name of “love” can truly be considered love at all.
It invites the audience to reconsider the very nature of what we believe to be love.