MONTAGE II is an interactive installation that unfolds like a cinematic twist: what first appears to be a trace of a murder (suggested by powder-like markings) and a man portrayed favorably, gradually transforms—through sound—into a depiction of a mad serial killer.

Within the space, which features a floor where the forms of perpetrator and victim seem indistinguishably intertwined, and where familiar cinematic sounds (such as sound effects and voice acting) are re-enacted, the viewer is drawn into the illusion that they are directing and controlling the narrative through their own movements and the sounds those movements trigger.

However, upon exiting the installation, one is confronted with the realization that every trajectory ultimately converges into the same conclusion. It is at this point that the viewer becomes aware that no one can truly act as an autonomous subject within this simulation.

Ultimately, the work critically reveals how contemporary media and systemic structures—marked by madness, fear, and dissociation—reduce the individual to a passive entity, laying bare the mechanisms of sacrifice and exclusion embedded within.