This video intentionally removes visual and perspectival cues—those typically found in architectural or painterly space—from the frame, causing viewers to lose their familiar spatial and temporal reference points.
At the end of the video, when only the movement and sound of a tennis ball are used to suggest depth and space, the viewer experiences a spatiotemporal disorientation and visual illusion, triggered by the protagonist’s placement in a seemingly different setting.
In other words, the work reconstructs the process by which perception falters in the absence of learned or familiar information, ultimately giving rise to an illusion.