“cinema experience, with space without screen” is an exhibition‑format experiment in cinematic interactive installation, combining narrative and interactivity. Instead of a traditional screening room, a real space becomes the stage where the story unfolds according to each viewer’s position and movement, enabling a dynamic, participatory encounter. Familiar cinematic elements invite visitors to engage naturally and immerse themselves, while interactive devices that let them toggle between reality and virtuality tighten the relationship between viewer and artwork and effectively convey its atmosphere and intent.
By merging film language with interactive technology, the project proposes a new kind of artwork—perhaps a glimpse of cinema’s future within today’s technological landscape.

Uniting film, installation art, and interactive media, the exhibition addresses the madness and dread born of the clash between human desire and anxiety, and extends to a critique of the schizophrenic media environment and capitalist system. It stages portraits of commodified individuals, people who can survive only by “going mad,” and those unaware of their own madness. Though these figures and plots may seem possible only on screen, they mirror the uneasy self‑portrait of lives where virtual and real intermingle. The characters and narratives thus resonate—directly or indirectly—with the audience, reflecting the human condition through cinematic devices.

Placing cinematic narrative structures in an interactive spatial framework, the project exposes fragmented selves and incomplete self‑awareness. Visitors intervene in the story’s progression within the physical space beyond the screen, experiencing a state suspended between subjectivity and objectivity. In doing so, they become aware of how identity, desire, and inner life are projected outward and continually reconstructed.